The market
Oyo's market is alive with cloth, beads and food. Elesin Oba dances through it, praised by the women who trade there, and the town treats his final night as a celebration.
Likehearted Productions presentsin partnership with AfOx
and the Oxford Nigerian Society
A play by Wole Soyinka
Be part of the ritual.
Praise for the play and earlier productions.
…fashions the drama of existenceThe Nobel Committee, on Wole Soyinka
A masterpiece of 20th century dramaOn the play
A transfixing work of modern world dramaOn the play
The action of the play is as inevitable and eloquent as in AntigoneOn the play
Soyinka creates a thrilling, fresh tragic genreOn the play
Four evenings and one Saturday matinee
25–28 November. Seats are limited.
Oyo, NigeriaWhere the true events took place, in 1946.
A story that travelsIt has since been performed on stages around the world.
Oxford, 2026Now it arrives here, for the first time.
My rein is loosened. I am master of my Fate.
Elesin Oba, the King's Horseman
A passage between two worlds
In Yoruba cosmology, Ayé, the world, and Ọ̀run, the spirit realm, are joined by a constant passage. Ancestors return and are reborn, so a king's death is a crossing, not an end.
The king of Oyo is dead. Custom demands that his horseman, Elesin, die on the thirtieth day and ride beside him into the world of the ancestors.
As the night closes in, a colonial officer's sense of duty collides with a custom he does not understand, and one man's resolve is tested. Part festival, part tragedy, it asks what duty costs, and who pays.
Four threads run through one night.
Oyo's market is alive with cloth, beads and food. Elesin Oba dances through it, praised by the women who trade there, and the town treats his final night as a celebration.
Talking drums carry the news of the king's death and set the rhythm of the night. In Yoruba tradition the drum can speak, echoing the tones of the language to send praise across the town.
While Elesin celebrates, the District Officer and his wife prepare for a fancy-dress ball. Their costume, made from sacred ancestral cloth, shocks the people of the town.
Olunde, Elesin's eldest son, returns from his medical studies in England for his father's most important night, expecting the ritual to be honoured.
Playwright, poet, essayist and activist, and one of Africa's most celebrated writers.
It has since been staged by the National Theatre in London and the Stratford Festival in Canada.
To be announced
Our cast and wider crew will be announced soon.
Magdalen Grove Auditorium, Oxford
Opened in 1999 and designed by Dr Demetri Porphyrios, the auditorium blends Greek Classical proportion with a timeless "classico-vernacular" style. Its proscenium-arch stage and carefully designed acoustics make it an intimate home for the play.
Only five performances. Evenings at 7.30 pm, plus a Saturday matinee at 2.30 pm.
7.30 pm
Followed by a post-show discussion with special guests7.30 pm
7.30 pm
2.30 pm
BSL-interpreted performance7.30 pm
After the Wednesday night performance, join a post-show discussion with special guests, to be announced.
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